4. 阿尔伯特·赫特（Albert Herter）于11月11日至18日发表的“Y”有2000多所这样的房子，供我们的孩子们参加联合战争工作运动”（United War Work Campaign） 高清作品[93%]

The Y has more than 2000 such homes for our boysUnited War <em>Work</em> Campaign, November 1118-

图片文件尺寸 : 2726 x 4100px

阿尔伯特·赫特（Albert Herter）于11月11日至18日发表的“Y”有2000多所这样的房子，供我们的孩子们参加联合战争工作运动”（United War Work Campaign）-Albert Herter

The Y has more than 2000 such homes for our boysUnited War Work Campaign, November 1118--Albert Herter (美国, 1871-1950)

5. 爱德华·彭菲尔德（Edward Penfield）的《每一个女孩都在为胜利而奋斗，胜利女孩联合作战运动》（Every Girls Pulling for Victory，Victory Girl United War Work Campaign） 高清作品[93%]

Every Girl Pulling for Victory, Victory Girls United War <em>Work</em> Campaign-

图片文件尺寸 : 3626 x 4727px

爱德华·彭菲尔德（Edward Penfield）的《每一个女孩都在为胜利而奋斗，胜利女孩联合作战运动》（Every Girls Pulling for Victory，Victory Girl United War Work Campaign）-Edward Penfield

Every Girl Pulling for Victory, Victory Girls United War Work Campaign--Edward Penfield (美国, 1866 - 1925)

6. Tassaduq Sohail 无 题 高清作品[89%]

Untitled

图片文件尺寸 : 5420 x 3794px

Tassaduq Sohail:Untitled (Various) Photo Album: 31 works; Various sizes; the largest 27.1 x 20.4 cm; the smallest 12.6 x 9.7 cm
Non-bound works: 34 works; the largest 8.3 x 20 cm, the smallest 11.4 x 14.5 cm
Framed work: 1 work; unframed dimensions 16.5 x 12.2 cm; framed dimensions 39.8 x 32.5 cm
watercolour on paper; ink on paper; pencil on paper; crayon on paper; oil on paper and oil on card

Tassaduq Sohail 无 题

7. “Beurs van Berlage壁画设计三位处女的入口处安托恩·德金登（Anton Derkinden）的作品《工作、眩晕和智慧》（Work，Coziness and Wisdom），在一块石头水星后面 高清作品[86%]

Ontwerp voor wandschildering in de Beurs van Berlage; binnenkomst van de drie maagden Werkzaamheid, Gezelligheid en Wijsheid, achter een rots Mercurius-

图片文件尺寸 : 3760 x 4904px

“Beurs van Berlage壁画设计三位处女的入口处安托恩·德金登（Anton Derkinden）的作品《工作、眩晕和智慧》（Work，Coziness and Wisdom），在一块石头水星后面-Antoon Derkinderen

Ontwerp voor wandschildering in de Beurs van Berlage; binnenkomst van de drie maagden Werkzaamheid, Gezelligheid en Wijsheid, achter een rots Mercurius--Antoon Derkinderen (荷兰, 1859 - 1925)

11. 赫尔穆特·费德勒，当代艺术I 高清作品[83%]

DO-Helmut Federle - 现代艺术 I
图片文件像素：6336 x 4556 px

赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

13. 阿里吉耶罗·波提 高清作品[79%]

DO-Alighiero Boetti - 现代艺术 I
图片文件像素：5357 x 5537 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Naturale Artificiale, 1982, 2 parts, ballpen on paper laid on canvas / biro su carta intelata, each 100 x 70 cm, on stretcher (2)

The work is registered in the Archivio Alighiero Boetti and is accompanied by a photo certificate of authenticity, Rome, 30 May 2007

Photo-certificate, issued by La Bertesca/c.o. Masnata, Genoa, signed by the artist, Rome, October 1983

Provenance:
The artist Francesco Masnata, Genoa (formerly Galleria La Bertesca)
Private Collection, Southem 德国y – acquired directly from the above in the late 1990s

Literature:
Jean-Christophe Ammann, Alighiero Boetti, Catalogo generale, Vol 3, Milan 2015, Vol. 3, no. 1391 (with color illustration)

The work NATURALE ARTIFICIALE comes from Alighiero Boetti\'s biro drawings series. The artist created unique artistic narratives through play, poetry, measure, numbers, order and disorder, which he combined with material diversity, conceptual complexity, and extraordinary visual beauty. Boetti began his biro series in the 1970s, when he created entire sheets collaboratively using different coloured biro ink. Each work in the series contains panels of images created by different students, similar to Boetti\'s well-known tapestries. With a consistently playful approach to \"simple\" ideas, Boetti posed fundamental questions about contemporary art production. The liminal space between artist and author is a major concern in Boetti\'s catalogue of works.

The biro work offered here is a diptych of two sheets hand-coloured with red biros. Looking at the diptych as a whole, the irregular structure, gradations and patterns become apparent. Latin letters are arranged in alphabetical order on the left edge of the picture. Distributed over the two halves of the picture are small white commas in a seemingly arbitrary arrangement. A closer look at the signs reveals that they each correspond to one of the letters of the alphabet. When read in sequence from left to right, they themselves spell out the work’s title NATURALE ARTIFICIALE. Boetti\'s biro works are generally abstract images that name themselves.

\"My works arise from changing forms of collaboration. I am interested in primary things like the alphabet, maps, newspapers - not least because of the sudden surge of order and disorder. Everything has its own precise order, even if that order is realised in a disorderly way.\"
Alighiero Boetti

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