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31. “工作马”，马格努斯·恩克尔研究高清作品[74%]

图片文件尺寸 : 4161 x 2702px

“工作马”，马格努斯·恩克尔研究-Magnus Enckell

Working Horse, study--Magnus Enckell (芬兰, 1870-1925)

32. 罗伯特·萨蒙的《渔民在工作》高清作品[74%]

图片文件尺寸 : 4260 x 3229px

罗伯特·萨蒙的《渔民在工作》-Robert Salmon

Fishermen At Work--Robert Salmon (美国, 1775 - 1845)

33. 约瑟夫·彭内尔的《弹药工程》高清作品[74%]

图片文件尺寸 : 5839 x 4581px

约瑟夫·彭内尔的《弹药工程》-Joseph Pennell

Munition Works--Joseph Pennell (美国, 1857-1926)

34. 海伦·施杰夫贝克的《女裁缝》高清作品[74%]

图片文件尺寸 : 2865 x 3250px

海伦·施杰夫贝克的《女裁缝》-Helene Schjerfbeck

The Seamstress (The Working Woman)--Helene Schjerfbeck (芬兰, 1862 – 1946)

35. 伊诺克·博尔斯的《稳定的工作》高清作品[74%]

图片文件尺寸 : 2247 x 2920px

伊诺克·博尔斯的《稳定的工作》-Enoch Bolles

Steady Work--Enoch Bolles (美国, 1883-1976)

36. 丹尼尔·布伦切割：现场工作分五部分，2009年交通黄高清作品[74%]

图片文件尺寸 : 4302 x 3889px

DANIEL BUREN:Cut-out: Situated Work in Five Parts, Traffic Yellow
2009

MDF, Alupanel, vinyl and white paint

78 3/4 by 78 3/4 by 10 1/4 in. (before cutting)
200 by 200 by 26 cm.

This work was executed in 2009.

A certificate will be issued by Daniel Buren in the name of the new owner.

丹尼尔·布伦切割：现场工作分五部分，2009年交通黄

37. 埃德·鲁沙有时是元音#351996 高清作品[74%]

图片文件尺寸 : 4261 x 4922px

ED RUSCHA:Sometimes a Vowel #35 (y), 1996

signed, titled and dated twice \'#35 July 22, 1996 Ed Ruscha 1996\' (interior page)
acrylic on book cover

9 3/4 x 10 in.
24.8 x 25.4 cm.

This work is painted on the exhibition catalog: The Works of Ed Ruscha, San Francisco Museum of Modern Art, 1982.

This work will be included in the forthcoming publication Ed Ruscha: An Archive of Projects, edited by Robert Dean with contributions from Michael Friend, David Platzker, and Allen Ruppersberg, and published by Gagosian.

埃德·鲁沙有时是元音#351996

38. 亚瑟·伯德特·弗罗斯特的《招工》高清作品[74%]

图片文件尺寸 : 2383 x 2913px

亚瑟·伯德特·弗罗斯特的《招工》-Arthur Burdett Frost

Soliciting For Work--Arthur Burdett Frost (美国, 1851 - 1928)

39. 安杰洛·萨韦利高清作品[74%]

图片文件像素：4956 x 4842 px

安杰洛·萨韦利-

Angelo Savelli * - Zeitgenössische Kunst I-

(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed

This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity

Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection

Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.

Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.

Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.

Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.

His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.